The Delafield & Malloy Investigations

A society writer and a former lady’s maid join forces to expose the dark  side of the rich and powerful in the 1910s while also searching for love and success in their own lives.

Louisa and Ellen two detectives who get the job done!

Book 1, The Whispering Women: A pair of female sleuths dig into 1913 New York's elite, and its dark underbelly!

Book 2, The Butterfly Cage: Buffalo Bill, the Prince of Monaco, panic attacks, and a mysterious string of abductions to Panama!

Book 3, The Burning Bride: Dynamite-wielding anarchists, hungry alligators, a raging fire, and Louisa and Ellen's wayward hearts!

Book 4, Secrets and Spies: Subterfuge, deception, German saboteurs,
and the sinking of the Lusitania!

Other Historical Fiction

Battle Annie: The Queen of Hell's Kitchen: "The fiercest woman in old New York leads a ruthless girl gang on a fabulous and wild adventure through the city's gritty underworld....a must-read thrill ride." -- Kim Taylor Blakemore,  author of After Alice Fell

Cinnamon Girl: “The young teen’s naive, first-person narrative gets behind the 1960s slogans to confront the big issues of racism, feminism, peace, and love, with a wry take on the hippie culture (from drugs to the Grateful Dead).” — Booklist

Standalone Memoirs and Fiction

The Hummingbird Kiss: "Searingly honest, often funny, always sordid story of a junkie’s life in the 1970s."— Fort Lauderdale Sun-Sentinel

My Mother's Requiem: A Daughter's Memoir: "A profound story about life and love and loss, growing up and growing old, holding on and letting go. There is a song of truth and beauty on every page” — Cheryl Strayed, author of Wild

The Pink House: "Trish MacEnulty's smooth delivery of four very different female viewpoints in The Pink House creates a rich reading experience to savor like a tasty casserole." –  The Southern Literary Review

The Lullaby Motel: "MacEnulty's sensitivity for those small moments that render life completely changed is at the heart of this collection... No one will be able to read without thinking of Hemingway." —The Observer